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Blackmagic URSA Cine EVF Extension compatible with standard extended viewfinder supports. The headline feature of this camera is its 12K video recording capabilities. The Blackmagic URSA Cine 12K captures Blackmagic RAW files to a built-in Blackmagic Media Module 8TB. This SSD can store around 4 hours of 12K footage or an impressive 20 hours of 4K footage. Data can then be accessed quickly via the camera’s 10G ethernet connection. Blackmagic advertises 14 stops of dynamic range with the URSA Mini Pro 12K.
Fold out LCD screen for on set monitoring
If you plug in a large and low cost external USB flash disk, you can record ProRes, H.265 or even high quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. You can even plug in optional focus and zoom demands to allow full lens control. The new URSA Broadcast features incredible low light performance so you can shoot using ambient light or even under moonlight! In advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light.
Blackmagic Design Unveils URSA Cine 12K: ‘Probably the Most Sophisticated Camera We've Ever Built’ - MovieMaker Magazine
Blackmagic Design Unveils URSA Cine 12K: ‘Probably the Most Sophisticated Camera We've Ever Built’.
Posted: Fri, 12 Apr 2024 07:00:00 GMT [source]
Full Resolution at Higher Frame Rates
This — by the way — is the most cost-effective and best-performing option at $400. Additionally, not all media captures high bit-rate and or framerate. Because media proves costly when shooting at high data rates — like what’s possible with the URSA Mini Pro 12K — make sure you have the right media. Work with remote cameras up to 2 km away from your studio or outside broadcast truck using SMPTE fiber.
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Since I have a gazillion of these T5 drives lying around on my desk, this means that I already had all the storage necessary to capture video at the highest quality. The camera does have dual-slot SD/SDHC/SDXC (UHS-II) recording options. But, I shot my entire project straight to the SSD which allowed me to just unplug it from the camera and plug it into my computer at the end of the shoot, and immediately get to editing. When you’re in the middle of a shoot, you need to be able to quickly check camera status even in daylight.
There's even WiFi with SRT streaming for remote client viewing. Plus the industry standard Lemo and Fischer connections make it perfect for high end cinema production. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production.
Plus the record button is much larger than the other buttons, as it’s the most important control! To complement the physical buttons and controls, all these controls and much more are located on the LCD screen, which is a perfect way to operate the camera when you are using it on a tripod. Plus the LCD controls provide full redundancy for all controls. The perfect solution for broadcasters, URSA Broadcast G2 includes ENG camera controls positioned around the camera so you can locate them by feel.
The articulation of the screen is limited — the monitor is not fully articulating. It has no less or more articulation than the previous URSA Mini. With that said, however, we wish it rotated to flip the monitor for the subject to see themselves, or to be tucked back to its resting place but with the monitor facing outward.
It is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. So you can always work with your camera RAW files without having to make proxies. Blackmagic RAW 12K images provide unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in 4K or 8K. The Blackmagic URSA Broadcast G2 was released on November 12, 2021.[15] It is the second generation of the URSA Broadcast line of cameras, and features a 6K Super 35 sensor. The Blackmagic URSA Broadcast was released on February 1, 2018.[14] While not an URSA "Mini", the Broadcast uses the same platform as the URSA Mini Pro.
URSA Cine comes with a massive 250W power supply and B Mount battery plate so you can use a wide range of high voltage batteries from manufacturers such as IDX, Blueshape, Core SWX, BEBOB and more. You can also add the optional Blackmagic URSA Cine VLock Battery Plate or Blackmagic URSA Cine Gold Battery Plate for using legacy V‑Mount and Gold Mount batteries. Blackmagic Media Dock accelerates your post production workflow by making it faster and simpler to start editing and color correction! Mount up to three Blackmagic Media Modules for high speed access to media from multiple URSA Cine cameras all at the same time! The four high speed 10G Ethernet ports allow up to four separate edit workstations to connect directly and it is extremely fast, even when a lot of users are connected at the same time. Plus, the USB-C connection supports Ethernet so you can transfer media using a simple USB-C cable connected to your computer.
Because they are so similar, we wanted to do more than just compare their stats. We put them side by side to see how they hold up to each other in features and performance. But, from a motion standpoint, being able to snatch a single still with the same camera you're going to use to capture video has other strategic advantages.
That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve Studio. The URSA Mini Pro 4.6K has a Super-35mm CMOS sensor and shoots resolutions up to 4.6K (4,608 x 2,592) at up to 60 frames per second (fps). You can capture either 12-bit CinemaDNG or ProRes up to 444 QT. It has two XLR inputs with phantom power and is available in different lens mounts. Unlike compact cameras that require custom cables, URSA Mini Pro features industry standard broadcast quality connections so you can use cables you already have! You get the latest 12G-SDI and separate HD-SDI video outputs along with 12V power for connecting electronic viewfinders.
Like the rest of the camera, the monitor is stout and has a very satisfying click when closing. The C200’s batteries cost 270 bucks, Cine batteries for the URSA cost between 200 and 1,000 dollars. We don’t know if we’d roll the dice on a cheap cine battery, so it’s likely the URSA battery will cost more than the C200 battery. The C200 has both an EVF and LCD monitor while the URSA has only a LCD monitor. Like we said before, this can be remedied by getting the URSA Viewfinder for 1,500 dollars.
This benefits when shooting chroma keying or anything else where the additional detail would benefit. Blackmagic Design has come a long way with the URSA cinema camera line. It has a bunch of new features not offered on the URSA Mini 4.6K, the previous URSA Mini model. It was just a few years ago, when the full-sized URSA hit the market and Blackmagic Design has been taking notes on what works and what doesn’t. With the URSA Mini Pro 4.6K, you get ND filters, external controls and SD card capture.
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